MACW: Masters in Creative Writing: Home

Ms. Bioh, a native New Yorker whose parents emigrated from Ghana in 1968, has made it her mission, theatrically and personally, to tell stories about African and African-American characters that buck expectation and defy stereotype." (New York Times) This first collection of plays from American contemporary playwright Jocelyn Bioh brings together a trilogy of celebrated work recently seen in New York and around the world. Merry Wives: Set in South Harlem, amidst a vibrant and eclectic community of West African immigrants, Merry Wives is a New York story about tricks of the heart. A raucous spinoff featuring the Bard’s most beloved comic characters, this hilarious farce tells the story of the trickster Falstaff and the wily wives who outwit him in a new celebration of Black joy, laughter, and vitality. Nollywood Dreams: It's the nineties and in Lagos, Nigeria, the "Nollywood" film industry is exploding

Claims for Poetry collects ideas of contemporary American poets on the subject of their art. Most contributions are essays, some are verse; some contributions are light-hearted, most are serious. These forty-three poets make widely different claims for widely different sorts of poetry-an eclectic, lively, contentious babble of voices from American poetry today. Included are the voices of: Robert Bly Robert Creeley Tess Gallagher X. J. Kennedy Galway Kinnell Denise Levertov Audre Lorde Alicia Ostriker Adrienne Rich Ron Silliman Louis Simpson Gary Snyder Alice Walker Richard Wilbur.

In Dangerous Men and Adventurous Women, Jayne Ann Krentz and the contributors to this volume—all best-selling romance writers—explode myths and biases that haunt both the writers and readers of romances. In this seamless, ultimately fascinating, and controversial book, the authors dispute some of the notions that plague their profession, including the time-worn theory that the romance genre contains only one single, monolithic story, which is cranked out over and over again. The authors discuss positive life-affirming values inherent in all romances: the celebration of female power, courage, intelligence, and gentleness; the inversion of the power structure of a patriarchal society; and the integration of male and female. Several of the essays also discuss the issue of reader identification with the characters, a relationship that is far more complex than most critics realize. Essays by Sandra Brown, Jayne Ann Krentz, Mary Jo Putney, and other romance writers refute the myths and biases related to the romance genre and its readers.

With admission to The Program, an elite interdisciplinary graduate cohort at the forefront of astronomy and technology, Rosa’s dreams are finally within reach. Her research into the cosmos follows in the footsteps of her astronomer father’s revolutionary work in Bantu geometries and Indigenous astronomies. A bona fide genius, he transformed the scientific landscape by fusing the best of Western and Indigenous scientific thought. Yet since his death during her childhood, Rosa has been plagued by anxiety attacks she dubs “The Terrors”—and by unresolved questions about her father’s life. Who is his mysterious friend Mr. C? Who was her father, really?....

If you made me angry, to me, for that anger to go away I have to get hold of you . . . For that anger to go away, I have to do something to you.’ These are the words of one of South Africa’s most terrifying serial killers, who spoke to psychologist Brin Hodgskiss in the bowels of the country’s most secure prisons. Hodgskiss interviewed several of the most notorious serial killers and his recordings sat gathering dust until recently, when top true-crime podcaster Nicole Engelbrecht found his research online. The two connected and now they bring their love of story-telling to this highly readable book. In Killer Stories, Hodgskiss combines his interviews with the tenets of narrative psychology to take the reader into the minds of the killers and shares how his own journey as a psychologist and human being contributed to his deeper understanding of them. The book intertwines the killers’ versions of the truth and the true-crime stories behind them, re-telling their killing sprees in gripping detail. Journey with the authors as they lay out how the stories these men told themselves about their lives contributed to where they ended up – and how those stories aren’t that different from those we all tell ourselves.

Short stories describing the Palestinian experience of the Middle East conflict. Each involves a child, a victim of circumstances, who nevertheless participates in the struggle towards a better future. As in Kanafani's other fiction, these stories explore the need to recover the past by action. Politics and the novel, Ghassan Kanafani once said, are an indivisible case. Fadl al-Naqib has reflected that Kanafani wrote the Palestinian story, then he was written by it. His narratives offer entry into the Palestinian experience of the conflict that has anguished the people of the Middle East for more than a century. In Palestine's Children, each story involves a child a child who is victimized by political events and circumstances, but who nevertheless participates in the struggle toward a better future. As in Kanafani's other fiction, these stories explore the need to recover the past the lost homeland by action. At the same time, written by a major talent, they have a universal appeal. This edition includes the translators' contextual introduction and a short biography of the author.

Controversial indictment of those who exploit the tragedy of the Holocaust for personal and political gain In his iconoclastic and controversial study, Norman G. Finkelstein moves from an interrogation of the place the Holocaust has come to occupy in global culture to a disturbing examination of Holocaust compensation settlements. It was not until the Arab–Israeli War of 1967, when Israel’s evident strength brought it into line with US foreign policy, that memory of the Holocaust began to acquire the exceptional prominence it has today. Recalling Holocaust fraudsters such as Jerzy Kosinski and Binjamin Wilkomirski, as well as the demagogic constructions of writers like Daniel Goldhagen, Finkelstein contends that the main danger posed to the memory of Nazism’s victims comes from some of the very people who profess most passionately to defend it. Drawing on a wealth of untapped sources, he exposes the double shakedown of European countries and legitimate Jewish claimants, and concludes that the Holocaust industry has become an outright extortion racket..

Esma is a modern Muslim woman with an age-old dilemma. She is well-educated, well-traveled, and has excellent taste in music, but the hunt for Mr. Right leads her to a number of Mr. Wrongs. Together with wild-haired Ruby, principled Lisa, and drop-dead gorgeous Nirvana, Esma forms the No Sex in the City Club. Her quest for The One (or Mr. Almost-Perfect) was never going to be easy, but soon enough it takes an unexpected and thrilling detour.

Parallel text in Arabic and English on facing pages; front and back matter in English only.
Summary ""[A] rare occurrence in the poetry world."-American Book Review As a child, Ghassan Zaqtan lived in a refugee camp near the River Jordan. While that painful experience deeply influenced his poetry, when Zaqtan was awarded the prestigious Griffin International Prize, the judges noted: "His words turn dark into light, hatred into love, death into life. His magic leads us to the clearing where hope becomes possible, where healing begins across individuals, countries, races.

As Zimbabwe emerges into independence, Tambudzai Sigauke embarks on her second year at the Young Ladies' College of the Sacred Heart. Determined to excel, Tambu exhausts herself with her efforts to climb to the top of the school's honour rolls. The further she pushes herself, however, the farther she feels from any reward; and the roots of colonialism threaten to trip her at every step.

"Translated into English for the first time after its publication in 1967, Ghassan Kanafani's On Zionist Literature makes an incisive analysis of the body of literary fiction written in support of the Zionist colonization of Palestine. Interweaving his literary criticism of works by George Eliot, Arthur Koestler, and many others with a historical materialist narrative, Kanafani identifies the political intent and ideology of Zionist literature, demonstrating how the myths used to justify the Zionist-imperialist domination of Palestine first emerged and were repeatedly propagated in popular literary works in order to generate support for Zionism and shape the Western public's understanding of it. The new preface by Anni Kanafani and an introduction by Steven Salaita place On Zionist Literature in its broader historical context and make a compelling case for its ongoing signficance more than five decades since its original publication, illustrating the extent to which 'Kanafani was a searing and incisive critic, at once generous in his understanding of emotion and form and unsparing in his assessment of politics and myth

In this stunning debut novel, Esi, a feisty Nigerian-Ghanaian girl growing up amid political upheaval in postcolonial Ghana, begins to question the hypocrisy of the patriarchal society that surrounds her, and the restrictions and unrealistic expectations placed on women"-- Provided by publisher.
Late 1960s, Ghana. Young Esi Agyekum is as tight-lipped about her father's adultery as she is about her half-sisters' sex lives. After she is humiliated and punished for her own sexual exploration, Esi begins to question why women's secrets and men's secrets bear different consequences. As she navigates her burgeoning womanhood, Esi tries to reconcile her own ideals and dreams with her family's complicated past and troubled present, and fights to carve out her own identity against their society's double standards.

"Udodi's death was the beginning of the raging storm but at that moment, we thought that the worst had already happened, and that life would treat us with more kindness... When seventeen-year-old Nani loses her older sister and then her father in quick succession, her world spins off its axis. Isolated and misunderstood by her grieving mother and sister, she's drawn to an itinerant preacher, a handsome self-proclaimed man of God who offers her a new place to belong. All too soon, Nani finds herself estranged from her family, tethered to her abusive husband by children she loves but cannot fully comprehend. She must find the courage to break free and wrestle her life back - without losing what she loves most."--Publisher.

Creative writing has become a highly professionalised academic discipline, with popular courses and prestigious degree programmes worldwide. This book is a must for all students and teachers of creative writing, indeed for anyone who aspires to be a published writer. It engages with a complex art in an accessible manner, addressing concepts important to the rapidly growing field of creative writing, while maintaining a strong craft emphasis, analysing exemplary models of writing and providing related writing exercises. Written by professional writers and teachers of writing, the chapters deal with specific genres or forms - ranging from the novel to new media - or with significant topics that explore the cutting edge state of creative writing internationally (including creative writing and science, contemporary publishing and new workshop approaches)

From one of the greatest modern writers, these stories, gathered from the nine collections published during her lifetime, follow an unbroken time line of success as a writer, from her adolescence to her death bed.

This book focuses on creative writing both as a subject in universities and beyond academia, with chapters arranged around three organising sub-themes of practice, research and pedagogy.

A man looks back on his life in Cairo from 1997 to 2011, involving secret poetry clubs, drugs, messy love affairs, violent sex, intellectual bravado, the Beat poets, and a burning Tahrir Square.