Practical Resources for Fine Art: Digital Art

"Network Art: Practices and Positions explores emerging artistic responses to a world enveloped by information networks.

Inspirational ideas for advertising, animation, and digital design from a leading creative director.

Providing timesaving tips, cool secrets, and productivity tricks, this book has been completely updated to feature the latest information on Photoshop, the world-standard image-editing solution for print and the Web

In Digital Alchemy, acclaimed printmaker Bonny Pierce Lhotka shows how to turn your standard inkjet printer into a seemingly magical instrument capable of transforming your printed images into true works of art. Using plenty of visuals and straightforward terms, Lhotka walks you step-by-step through over a dozen projects. Forget printing on boring old paper, in Digital Alchemy, you’ll learn how to transfer and print images to a variety of surfaces including metal, wood, fabric, stone, and plastic using the techniques Lhotka’s spent years developing.

n The Last Layer–the follow-up to Digital Alchemy, her successful book on alternative printmaking techniques–Bonny Lhotka teaches how to make prints that take their inspiration from early printmaking processes. In this book, Lhotka shows readers step-by-step how to create modern-day versions of anthotypes, cyanotypes, tintypes, and daguerreotypes as well as platinum and carbon prints. She also reinvents the photogravure and Polaroid transfer processes and explores and explains groundbreaking techniques for combining digital images with traditional monotype, collograph, and etching press prints. By applying these classic techniques to modern images, readers will be able to recreate the look of historical printmaking techniques and explore the limits of their creative voice. Best of all, the only equipment required is a desktop inkjet printer that uses pigment inks, and a handful of readily available materials and supplies–not the toxic chemicals once required to perform these very same processes.

Leveraging her training as a traditional painter and printmaker, Bonny Lhotka brings new innovations and inventions that combine the best of centuries of printmaking technique with modern technology to create unique works of art and photography. After years of experimentation and development, these new processes allow alternative photographers, traditional printer makers, and 21st century digital artists to express their creative voice in ways never before possible.

The first major illustrated survey of this exciting, new, and experimental field.
Building on the traditions of art history and using advanced technologies, digital artists push the boundaries of artistic expression and explore some of the most urgent social, political, and biological issues facing humankind today.
Traditional activities such as painting and sculpture have been radically transformed by digital techniques and media, while entirely new forms, such as Net art, digital installation, and virtual reality, have emerged as recognized artistic practices, collected by museums, institutions, and individuals the world over. All the diverse forms are featured here: digital prints, sculpture, and interactive installations; DVD and CD-ROMs; digital animation and video; Web sites and software art; new media performance and music. Bruce Wands presents an overview of the main characteristics of each category and discusses in detail specific works selected by a panel of curators as the most important of their kind.
Quotes, statements, and other texts from digital artists, curators, and theorists of new media appear throughout the book to provide further illuminating insights.
An introduction traces the history of digital art from its tentative beginnings in the 1960s to its full emergence in the 1990s, while the final chapter speculates on what the future might bring for this rapidly changing art form. A reference section includes a year-by-year time line of milestones in digital art, both artistic and technological, an extensive bibliography, a glossary, and a list of artists' Web sites and online art projects. 250 color illustrations.

This book takes you outside the studio and walks you through the museum of life. This full color book combines traditional texture creation principles with digital texturing techniques to enhance your scenes and animations. In the first half of the book, you will learn about the history of textures in fine art and in the second half, how to apply these principles to your 2D and 3D digital scenes.

Utilizing the combined experience of three traditional artists turned digital imaging pioneers, Digital Art Studio champions combining traditional art techniques with digital media. From their unique position as artists, educators, and technology consultants, the authors provide a wide range of ways to integrate digital processes, using them in unusual and challenging ways to reinvent traditional art techniques. The computer is profiled as the ultimate mixed-media machine, allowing the artist to readily combine an unbelievable array of media. The book covers the basic processes for preparing commercially available surfaces (canvas and watercolor and printmaking papers) and custom surfaces (handmade papers, wood, leather, and antique fabrics). More advanced methods are covered, including transferring digital images to absorbent surfaces and transferring digital images to three-dimensional surfaces. A showcase of the work of artists who have combined digital and traditional materials to produce outstanding work will inspire all artists, new and seasoned alike, to explore the new world of mixing traditional art with digital media.

This book explains how graphic designers use computers as a medium to combine word, image, motion, sound, and user interaction for the internet, TV, promos, games, animation, CDs, and exhibitions.

Illuminating Video is the most comprehensive collection of essays on video art, as well as an essential text for the general reader interested in new visual forms. It is a significant resource for anyone who is involved in new media, video art, art history, or contemporary social theory.

The volume offers insights by several prominent artists in the field as well as revealing and instructive writings by both scholars and critics. It illustrates the complex, heterogeneous nature of video, and highlights its strong ties to the visual arts and social theory. While providing an essential critical context for understanding video's role as art, these writings show that video is at the forefront of contemporary cultural and aesthetic discourse. Using a wide range of strategies, from the poetic to the reconstructive, these essays provide a long-overdue academic-friendly context in which to evaluate video as art and its subsequent impact on social and cultural behavior.

Editors Hall and Fifer have organized the book into five sections that address the varied aspects of video. From essays investigating the construction of a history of video; to articles on the relation(s) of video to other media, fine art, and culture; to pieces specifically created by leading video artists for this publication; Illuminating Video has much to offer any student or scholar of video production or aestheics.