Practical Resources for Fine Art: Home

"The handbook is heavy on methods chapters in different genres. There are chapters on actual methods that include methodological instruction and examples. There is also ample attention given to practical issues including evaluation, writing, ethics and publishing. With respect to writing style, contributors have made their chapters reader-friendly by limiting their use of jargon, providing methodological instruction when appropriate, and offering robust research examples from their own work and/or others." -- Provided by publisher.

Art, Research and Philosophy explores the emergent field of artistic research: art produced as contribution to knwoledge.

Exhibition publication
When the Moon Waxes Red, Khan interrogates her personal family history of poverty, alcoholism and emotional and physical abuse as they intersect with Indian Ocean migration, colonialism, apartheid and post-apartheid. It links the struggles of a particular group and historical episode(s) to larger struggles of women nationally and transnationally.

Desmond Bell looks at contemporary art and design practice, arguing that research activity is now a vital part of the creative dynamic.

"Centres on a virtual gallery of art made in the region from the 1940's to the 2000s. Work featured is contextualized within its historical background from the Pre-Columbian times to the present day, through narrative text and time line."--Cover.

Mass-produced images have long been produced and used in India by religious and nationalist movements – the emergence of Indian-run chromolithograph presses in the late 1870s initiated a vast outpouring that have come to dominate many of India’s public and domestic spaces.

"At one level or another, all the work in the collection seeks to find ways to understand and articulate our multiple identities and senses of place?

The Twentieth-Century Performance Reader has been the key introductory text to all types of performance for over fifteen years. Extracts from over fifty practitioners, critics and theorists from the fields of dance, drama, music, theatre and live art form an essential sourcebook for students, researchers and practitioners. This carefully revised third edition offers focus on contributions from the world of music, and also privileges the voices of practitioners themselves ahead of more theoretical writing.